- SN: RR63170
- Weight. 7.6 Pounds (9.6 Ounces)
Lefty Upcharge - Yes. Fender Custom Shop charges an addition $600.00 (msrp) for their left-handed guitars. Fat Sound only passes our cost for this upgrade along to our customers.
The Fat Sound Original™
As always with batches of our Fat Sound Original™ guitars we had very specific instructions for this most recent group of NOS and Closet Classic '59 and '60's Strats. Our spec's have been developed over the course of nearly two decades of ordering heavily tweaked Custom Shop pieces. Via an extreme amount of trial-and-error based on my personal passion for these guitars I feel we offer the finest Custom Shop guitars you can buy.
The folks who end up with these guitars will have heirloom quality Strats that they'll enjoy and be inspired by for the rest of their lives. It took me several years of both "running the racks" and ordering Custom Shop Stratocasters before I found that truly magical guitar. Our local clientele know my personal, 60's Fiesta Red guitar and how exceptional it is. I've owned that piece, my #1, for 15 years now and have developed a serious attachment to it. My goal throughout the development of our Fat Sound Original™ Stratocasters has always been to discover what combination of specifications and tweaks is needed so that we can dramatically improve the odds of being able to provide our customers with Custom Shop guitars that are consistently as excellent as the 60's Custom Shop Strat it took me a decade to find.
Some of the specifications we have come up with were relatively obvious and have been a part of our FSO offerings from the very beginning while others were more elusive and took years to discover. We're confident that after many years of gradually getting closer to our goal that this most recent batch of Fat Sound Original™ guitars are so exceptional that the time and effort we've put into this project has finally paid off. No further tweaks are required......the FSO guitar series is now absolutely perfect!
I'm not going to give away all of our secrets, but let's talk about the more obvious stuff!
We were very specific about the weight spec's and each guitar in this batch came in at exactly 7.6 pounds.....dead center of our preferred weight range for Alder Strats®. We're also very particular about the Rosewood used for the FSO's fingerboards. First of all we specified East Indian which Fender Custom Shop no longer defaults to unless specifically asked and then there is a small upcharge. Secondly, the East Indian Rosewood had to be as dark as possible and our inside guy at the Custom Shop managed to find us a batch of rosewood that is almost black!
While ultra-dark rosewood is merely a cosmetic consideration, I consider this an absolutely vital part of getting the look just right I've never seen a pre-CBS, rosewood board guitar that didn't have a dark, oily looking fingerboard. The country of original for the Rosewood however is not merely cosmetic.
Also, for our FSO guitars, the fretwork has to be absolutely perfect. Look at the close shots of the edges of the fingerboards for each of these guitar. Beautiful fret end treatment, flawlessly cut fret slot depth and the edges of the fingerboard show that perfect, almost scalloped look between the frets that indicates that perfectly rounded over fingerboard treatment which is so critical for creating that comfortable, played-in feel.
After 15 years our Fat Sound Original guitars are now perfect! The fit-and-finish, overall cosmetics and, most importantly, playability and tone of each of these guitars is truly exceptional!
Eureka!!!
Features and Specifications
- Model: Fat Sound Original™ ’60 Stratocaster® Left handed
- Time Machine™ Level: NOS
- Body wood: Alder
- Finish: Fiesta Red / Nitrocellulose Lacquer
- Neck width: 1.650"
- Scale: 24.5"
- Neck wood: AA Flame Maple
- Fingerboard Wood: East Indian Rosewood
- Fingerboard instructions: Sort for Dark Rosewood
- Neck shape: '59 Large C (.875" x .950")
- Neck finish: NOS
- Fingerboard radius: 9.5”
- Postion/Sidemark inlays: Clay Dots
- Fret size: Dunlop 6150
- Fret number: 21
- Headstock: Pre-CBS
- Machine heads: Gotoh Vintage Kluson
- Bridge: Vintage Synchromatic Tremolo
- Tremolo Block: Callaham Vintage Repro Enhanced
- Tremolo Bar: Callaham "64" Virtual Pop-In
- Pickguard: 3-Ply Mint
- Pickup type: FSO™ #1 Custom Shop
- Controls: 5-Way Pickup Selector, Master Volume, Neck Tone, Middle Tone
- Hardware plating: Chrome/Nickel
- Strap Buttons: Standard Vintage
- Knobs and Covers: Aged White / Parchment
- Case: Brown Tolex Case (Yellow Interior)
- Accessories: Case, Cable, Strap and Certificate of Authenticity
- String Gauge: 10-46
Fat Sound Original™ Upgrades
- Neck wood: AA Flame Maple (+ $360.00msrp)
- Fingerboard instructions: Sort for Dark Rosewood (+ $80.00msrp)
- Neck shape: '59 Large C (+ $40.00)
- Fingerboard radius: 9.5” (+ $40.00msrp)
- Fret size: Dunlop 6150 (+ $40.00msrp)
- Tremolo Block: Callaham Vintage Repro Enhanced (included free of charge)
- Tremolo Bar: Callaham "64" Virtual Pop-In (included free of charge)
The Flame Maple Neck Myth
I occasionally hear concerns about potential instability of figured maple necks. I'll take partial responsibility for this misconception since I've been pretty outspoken about avoiding certain types of figured maple necks for nearly 20 years now. But, it's always been birdseye figuring, not flame figuring, that I've spoken out against.
It's true that Birdseye figuring can cause less than stable necks. Birdseye figuring is created by small knots in the wood which are imperfections that, while attractive, are best avoided. Not all birdseye maple necks prove to be unstable, but there is a degree of risk that's high enough that I recommend avoiding necks with this particular type of figuring. I've owned several guitars with heavy birdseye figuring and only one was problematic, but the neck on that particular guitar was unstable enough that the truss rod required constant tweaking in order to maintain my preferred degree of relief. Further, the greater the degree of birdseye in a given piece of maple the more likely that piece is to be unstable. This attractive type of maple is best reserved for use in decorative furniture laminates or for automotive interior accents.
Flame, on the other hand, has never been shown to cause any notable tendency towards instability. While any piece of maple can prove to be unstable, flame maple is generally every bit as stable as unfigured, flat sawn maple. Where birdseye figuring is, in fact, imperfections/voids in the maple, flame is merely a figuring anomaly created by distortions in the wood that run perpendicular to the wood's grain. It looks attractive while having zero effect on a neck's stability.
There is a ton of misinformation out there about flame maple some of which can be found on the websites of very respected builders, but we have centuries of proof about the stability of flame maple as used for the neck wood of a wide variety of instruments. Consider the centuries old violins with flame or fiddle back maple necks as well as nearly a century of mandolins built with flame maple necks.
In Summary, we advise avoiding birdseye maple necks as a hard and fast rule, but have zero problem recommending flame maple necks if you like the look and desire to have this beautiful cosmetic element as a feature of your guitar.
Stu Carter, tone consultant
Fat Sound Guitars |