Fender® Custom Shop
Fat Sound Guitars is an Authorized Dealer For Fender® Musical Instruments. You can visit the official Fender® website by clicking This Link or the Fender® Custom Shop Banner below. Fat Sound is only authorized to sell and ship Fender® products within the USA.
Fat Sound Originals™
Our name for these guitars is derived from Fat Sound Guitars having been the first Fender® Custom Shop dealer to take Time Machine™ models and tweak them to include flatter fingerboards, larger, non-vintage sized fretwire and the larger neck carves that many Strat® players find more comfortable and less fatiguing with the added benefit of possibly increasing a guitar's overall resonance and sustain. In 1995, Fat Sound's owner, a die-hard Strat® player, had his personal '60's Custom Shop refretted with 6105 fretwire, the fingerboard planed form its original 7.25" radius to his preferred 9.5" and the pickups swapped out for Lindy Fralin Vintage Hots in the neck and middle positions and a Fralin Steel Pole 43 in the bridge. After the work was completed, everyone who played his Fiesta Red Strat® thought it one of the most amazing guitars they had experienced. Based on the universally positive reaction of friends and clients to this reworked Custom Shop guitar it quickly became obvious that there was s strong demand in the marketplace for this melding of timeless, vintage look and tone with more modern playability. We don't claim to have invented this concept, merely to have been the first guys to work with the Custom Shop to come up these killer variations on the standard Time Machine™ models to be offered as our standard.
The Importance of The Little Things
It boils down to our years of experience creating correctly tweaked Time Machine™ instruments. The Fat Sound Original™ models have literally been the better part of two decades in the making. Every spec' we change from the standard offerings serves a specific purpose and results in what we fell are meaningful improvements in both Tone and Playability. What began as a simple plan to make Time Machine guitars more marketable to the majority of our customers who wanted modern playability with the vintage look ended up as a journey of discovery through the nuances that make the vintage Fender® guitars so desirable. Ultimately we ended up with guitars that play beautifully and sound remarkably close to the best of the vintage, pre-CBS era Fenders®. The combination of Fender's® craftsman and our boots-on-the-ground experience combined to create a fantastic team.
While a few of the other well-known and respected Fender® Custom Shop dealers who share our passion for vintage Fenders® have long since caught on to the advantages of creating their own Time Machine™ variants with spec's similar to what we were initially doing 15 years ago, our original tweaks were merely a starting point to improve playability. We're confident that we are among a very small group of Custom Shop dealers who have invested the time, energy and passion to continue to develop unique Time Machine™ specifications that not only result in guitars that look period correct and that play effortlessly, but that, more importantly, have very special design elements (some of which we hold close to the vest) that result in guitars that actually sound as close as possible to the most exceptional examples of vintage Fender® guitars. We stock a limited number of these guitars and schedule them for a slow, steady flow rather than ordering 50 at a time primarily because we want to know each piece intimately enough to be able to give our customers an honest assessment of how each available guitar rates versus others we might have in stock as well as FSO™ guitars we've previously sold.
Why Our Fat Sound Original™ Guitars Are So Special - The Unclassified Bullet Points
- Not Merely a Flatter Fingerboard Radius: A flatter fingerboard radius is now commonly spec'd by Custom Shop dealers who are actively tweaking their Time Machine™ models to give their vintage style guitars the more modern playability that's been so successful for us. We've experimented with the most popular, modern radii including 9.5", 10" and 12". After years of experimenting with this vital spec' we believe that a radius of 9.5" is ideal. The staggered pole pieces of traditional single coil pickups are a critical element in achieving the most accurate vintage tone possible. Since the pole piece stagger was specifically designed by Leo Fender to align correctly with strings whose height was set to mirror the original 7.25" fingerboard radius it's clearly important to keep the curvature of the fingerboard as close as possible to the vintage spec' in order to retain as correct a string to pole piece relationship as possible while enlarging the fingerboard's curvature to improve playability. We have found the 1/2" difference between our 9.5" radius specification and a 10" radius, for example, to be considerably more critical than one might imagine. The difference in playability is essentially undetectable, but the difference in tone is not.
- Not Just "Medium Jumbo" Fretwire: We rarely encounter a Strat® or Telecaster® player who actually prefers the low profile vintage fretwire (.078" x .043") therefore our Fat Sound Original™ guitars are built using larger Dunlop wire for improved leverage while bending strings. The combination of the flatter radius mentioned above and the larger fretwire makes the Time Machine™ guitar you purchase from Fat Sound exceptionally playable. 6100 (.110" x .055") and 6105 (.090" x .055") profile wire have both been very popular for the past 20 years, we've used it ourselves, but we started using 6150 (.102" x .042") as our standard in 2009 and feel we finally hit on the perfect fretwire for big bends, reduced fret buzz and that, versus the taller 6100 and 6105, offers better intonation while playing; especially for players who fret aggressively. If you want to take it a step farther we'll gladly spec' a guitar for you with a vintage 7.25" radius, the playability issues of which are somewhat mitigated by our taller 6150 fretwire. However, we find the 9.5" radius and 6150 wire a perfect solution with an extremely minimal compromise when weighed against the benefits.
- Not Just "Rosewood": While Brazilian is the "correct" vintage spec' for the fingerboards on late 50's and early 60's Strats™ when it comes to the use of rosewood for fingerboards, we can't honestly say the we hear any difference whatsoever between Brazilian and East Indian so we see absolutely no reason to pay an enormous upcharge for Brazilian. If there was, we'd be doing it. However, We do want to make sure that the look is correct. The rosewood boards on vintage Fenders® invariable have an almost jet black, oily appearance which most Strat® fans agree is a critical element to the their overall visual vibe. Not only do we spec's dark rosewood, for which we pay a small upcharge, but we request that only the darkest rosewood Fender has on hand be used for our FSO™ models. This is merely a cosmetic tweak, but for most folks makes a huge difference in how correct our FSO™ models look. The tone and playability are the most important things, but we don't disocunt the vibe!
- All Tremolo Blocks Are Not Created Equally: This is why our FSO™ guitars are equipped with Callaham's Vintage Repro Enhanced Tremolo Block with Virtual Pop-In Tremolo Bar and a zero clearance fit Delrin bushing. This is a very meaningful upgrade that replaces the stock, hot rolled, leaded steel Synchromatic tremolo block with a vintage correct, cold rolled, non-leaded steel inertia block. This is critical to achieving the correct level of sustain and harmonic content that pre-CBS guitars posses. Furthermore, all tremolo users really should insist on a compression fit style tremolo bar rather than the 1950's style screw in wiggle stick. While a screw in tremolo arm is certainly traditional, anyone who actually uses their tremolo knows how much slop these bars quickly develop due to wear caused by the different hardness ratings of the arm's threads and the block. With a compression fit bar you lose the slop while gaining a direct, tight fit that allows for much greater control due to this design's superior feeling of connectivity between hand and tremolo. The Callaham "64" Virtual Pop-In arm, which is 3/4" shorter than the standard bar, is also a nice ergonomic improvement that allows most players to hold the arm in their palm while still being able to pick comfortably.



































































































































































