Utilizing a tweaked preamp based on Bonnamassa's input, this Carol-Ann sounds like no other and is, in fact, the best I have heard.
A pair of Tung-Sol 6L6 power tubes delivers 50 watts in Class AB.
The clean tones are huge, fat, full and dripping with character.....a Carol-Ann hallmark, but the footswitchable boost mode for the clean channel of this amp delivers perfect Marshall style crunch reminiscent of an early 70's Marshall JMP MK2, but with a smoother top and upper mids and a bit more gain if desired.
The second channel delivers anything from a full, round sustaining mild overdrive with incredible touch sensitivity, and reediness to a searing, smooth, higher gain tone with infinite sustain.
The footswitch with boost function effectively makes this a three channel amp since three perfect tones are available without any compromise. The footswitch can be ordered in one of two ways: it can add midrange for a thicker, creamier solo tone or it can add a dB boost with additional gain.
While some slight tweaking will get you to the perfect sonic zone for your guitar and attack, one of the many things I love about this amp is that you can literally just set every control on it to 12:00 and you are off to the races with incredible tone in all three modes. It's amazingly simple to dial in stellar tones without spending hours or days searching for them.......a real advantage for live players, but nice even for those of us who rarely play out.
Priced at $400.00 below the old price for an OD2 due to increases in productivity and growing purchasing power, this amp is a great value.
From Carol Ann's website regarding the base OD2:
Welcome to pure tone heaven!!
The OD2 Series of amplifiers offer a superb twin channel all-tube amplifier design coupled with a hand crafted no-compromise build quality.
These amplifiers are one of the most sonically versatile available on the market today and are happy producing every possible style of music from Country to Metal !! The clean channel features the warmest tones available with a beautiful percussive attack. The Overdrive Channel is simply incredible with a harmonic balance that gives the amplifier a three dimensional feel, rarely experienced with any standard design. The amount of overdrive is variable from slight crunch to all out sweetly compressed high gain tone. Note separation and response remain true throughout the full range of gain settings.
Bright Switch: Acts rather like a Fender Twin bright switch. Affects both channels.
Shift Switch: Changes the Range and action of the Bass Middle and Treble controls on the clean channel. In the up position it is very percussive and a little more gainy. In the down position it is more Fenderish.
Features
- Pre-Gain: This sets the overall input gain for the amp. This affects both channels.
- CH A Bass, Middle & Treble: Clean Channel Tone Controls.
- CH B Bass, Middle & Treble: OD Channel Tone Controls.
- Gain: Overdrive channel gain control.
- CH A Master: Master Volume for Clean Channel.
- CH B Master: Master Volume for OD Channel.
- Presence: Global Presence Control.
- Footswitch Socket: Heavy duty 3 pin XLR, locking connector for footswitch on both ends.
- Footswitch: Channel Selector and Mid-Boost or gain Switches, both with LED's
- Channel Switch: Manual Channel Selector
- FX Send and Return Jacks
- FX Return Level Control
Fat Sound Award for Sonic Excellence!
Customer Comments
"Hey Alan (Alan-Phillips, Carol-Ann Amplification),
The cab arrived in good shape and I've finally had a chance to try out the new OD2 50. Beautiful sounding amp--and you're right, it's absolutely huge for a 1x12. Perfectly touch sensitive and sparkly in the clean channel--in fact, I've hardly tried the overdrive channel as I've been so taken by the clean sounds. The amp really loves analog
delay, trem pedal, and outboard tube reverb in the effects loop (and it stays quiet).
The OD2-50 does a clean sound better than any of my current or past Fender tube amps. Each note arrives with so much character that the amp actually makes you want to play fewer notes since each one is just so worth savoring. I also find that the touch sensitivity is so nice that I'm palming the pick a bit more than usual to play with fingers only, because the OD2-50 produces such harmonically rich, beautifully textured, fleshy tones. It's hard to articulate these things, but you get the idea.
I love it.
Thanks for your good work (and thanks also to Stu at Fatsound for putting this together)!
Best,"
Mike L.
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